David Hughes uses referencing from the history of photography, music and culture to create images of lasting wit and substance. Renowned for his still life fashion photography, David employs a sophisticated lexicon ranging from classical black-and-white techniques to intricate and dynamic uses of colour.

David also excels in crafting compelling fashion editorials and advertising, frequently drawing inspiration from historical cultural references and reinterpreting them through a contemporary lens.

His editorial work has been featured in prominent publications such as AnOther Man, i-D, LOVE, Man About Town, V, and Vogue Hommes Nippon. Additionally, David has produced artwork for musical icons including Mark Ronson, Massive Attack, Nick Cave, and The Rolling Stones. His commercial portfolio includes collaborations with high-profile brands like Alexander McQueen, Dries Van Noten, Ferragamo, J.W. Anderson, Louis Vuitton, Marc Jacobs, Marc Jacobs Fragrances, and Prada.

Among David’s notable personal projects is an evocative study of the Cammell Laird Shipyard in Merseyside in the wake of its receivership and closure. This project was showcased at the inaugural Frieze Art Fair in London and subsequently collected and exhibited by the V&A Museum. Furthermore, David was commissioned by Sony and FIFA to document the global impact of football through his lens.

David's talent for bringing subjects to life photographically is also evident in his contributions to the V&A Museum’s critically acclaimed book "Ballgowns: British Glamour Since 1950," for which he created all the images.

His latest personal book “Impermanence” in collaboration with Patrick Remy is revealing his Iphone memories. These images attempt to make sense of change, trying to understand and create narrative around his personal experiences.